Friday 24 June 2011
Codes and Conventions: Goodwin's 6 features of a music video
1. Music videos demonstrate genre characteristics. (e.g. stage performance in metal videos, dance routine for boy/girl band, aspiration in Hip Hop).
2. There is a relationship between lyrics and visuals. The lyrics are represented with images. (either illustrative, amplifying, contradicting).
3. There is a relationship between music and visuals. The tone and atmosphere of the visual reflects that of the music. (either illustrative, amplifying, contradicting).
4. The demands of the record label will include the need for lots of close ups of the artist and the artist may develop motifs which recur across their work (a visual style).
5. There is frequently reference to notion of looking (screens within screens, mirrors, stages, etc) and particularly voyeuristic treatment of the female body.
6. There are often intertextual reference (to films, tv programmes, other music videos etc).
2. There is a relationship between lyrics and visuals. The lyrics are represented with images. (either illustrative, amplifying, contradicting).
3. There is a relationship between music and visuals. The tone and atmosphere of the visual reflects that of the music. (either illustrative, amplifying, contradicting).
4. The demands of the record label will include the need for lots of close ups of the artist and the artist may develop motifs which recur across their work (a visual style).
5. There is frequently reference to notion of looking (screens within screens, mirrors, stages, etc) and particularly voyeuristic treatment of the female body.
Thursday 23 June 2011
What is a Promo Video
A music video or song video is a short film integrating a song and imagery, produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. Although the origins of music videos date back much further, they came into prominence in the 1980s, when MTV based their format around the medium. Prior to the 80s, these works were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip" or "film clip".
Music videos use a wide range of styles of film making techniques, including animation, live action filming, documentaries, and non-narrative approaches such as abstract film. Some music videos blend different styles, such as animation and live action. Many music videos do not interpret images from the song's lyrics, making it less literal than expected. The long-running British TV show Top of the Pops began playing music videos in the late 1970s, although the BBC placed strict limits on the number of 'outsourced' videos TOTP could use. Therefore a good video would increase a song's sales as viewers hoped to see it again the following week. In 1980, David Bowie scored his first UK number one in nearly a decade thanks to director David Mallet's eye catching promo for "Ashes to Ashes". Another act to succeed with this tactic was Madness, who shot on 16 mm and 35 mm, constructing their clips as "micro-comedic" short films.
In 1974 the band Sparks filmed a promo video for their single "This Town Ain't Big Enough for Both of Us" from the album Kimono My House
The long-running British Rock music show The Old Grey Whistle Test produced a number of pioneering videos made especially for the programme throughout the 70s and early 80s. These included a video of Frank Zappa's "City of Tiny Lights" made using claymation and videos made for performers such as Television, Led Zeppelin, Genesis, Pink Floyd and Mike Oldfield. The executive producer of The Old Grey Whistle Test was Mike Appleton. Derek Burbidge and Kate Humphreys directed and videoed many of the artists. The audio was always of prime importance. Gregg Baily was the recordist for the show on location. Although many assumed the bands were playing live, due to technical issues and the need to ensure performances were controlled, the bands often recorded the performance on the day of shooting prior to taping, and then mimed to this "live" track. Other directors and camera operators were Martin Pitts in the USA, and for England, John Metcalfe and Tim Pope and many others. Location shoots all over the world were an essential part of the programme. Martin Pitts Directed clips for the Bee Gees that aired on the show.
Music videos use a wide range of styles of film making techniques, including animation, live action filming, documentaries, and non-narrative approaches such as abstract film. Some music videos blend different styles, such as animation and live action. Many music videos do not interpret images from the song's lyrics, making it less literal than expected. The long-running British TV show Top of the Pops began playing music videos in the late 1970s, although the BBC placed strict limits on the number of 'outsourced' videos TOTP could use. Therefore a good video would increase a song's sales as viewers hoped to see it again the following week. In 1980, David Bowie scored his first UK number one in nearly a decade thanks to director David Mallet's eye catching promo for "Ashes to Ashes". Another act to succeed with this tactic was Madness, who shot on 16 mm and 35 mm, constructing their clips as "micro-comedic" short films.
In 1974 the band Sparks filmed a promo video for their single "This Town Ain't Big Enough for Both of Us" from the album Kimono My House
The long-running British Rock music show The Old Grey Whistle Test produced a number of pioneering videos made especially for the programme throughout the 70s and early 80s. These included a video of Frank Zappa's "City of Tiny Lights" made using claymation and videos made for performers such as Television, Led Zeppelin, Genesis, Pink Floyd and Mike Oldfield. The executive producer of The Old Grey Whistle Test was Mike Appleton. Derek Burbidge and Kate Humphreys directed and videoed many of the artists. The audio was always of prime importance. Gregg Baily was the recordist for the show on location. Although many assumed the bands were playing live, due to technical issues and the need to ensure performances were controlled, the bands often recorded the performance on the day of shooting prior to taping, and then mimed to this "live" track. Other directors and camera operators were Martin Pitts in the USA, and for England, John Metcalfe and Tim Pope and many others. Location shoots all over the world were an essential part of the programme. Martin Pitts Directed clips for the Bee Gees that aired on the show.
Intro
This year for the A2 i have decided to change groups and have now made a new group with George Griffin.
This years task is different from what we were asked to do in AS as we now get the chance to choose what we wish to do. The specification that we were given by our teacher allows us to choose out of three items to use with our music video that we have to create.
The specification shows that.
Mandatory
Create a Promo Video for a Band
Two to be selected out of the following
a website homepage for the band
a cover for its release as part of a didipak (CD/DVD package)
a magazine advertisement for the digipak
This years task is different from what we were asked to do in AS as we now get the chance to choose what we wish to do. The specification that we were given by our teacher allows us to choose out of three items to use with our music video that we have to create.
The specification shows that.
Mandatory
Create a Promo Video for a Band
Two to be selected out of the following
a website homepage for the band
a cover for its release as part of a didipak (CD/DVD package)
a magazine advertisement for the digipak
Subscribe to:
Posts (Atom)